Download 28 Realistic FUR Photoshop Brushes Add-on Free
28 Realistic FUR Photoshop Brushes Add-on
Published: Oct 07, 2017
Applications Supported: Adobe Photoshop, Adobe Photoshop Elements
File Size: 8.13 MB
Tileable
Description: 28 Realistic FUR Photoshop Brushes Add-on
The set works with Adobe Photoshop, Adobe Photoshop Elements & Adobe Fresco. May also be imported in Procreate, but for the most correct work, consider purchasing the “Realistic FUR” for Procreate from my Store here.
Realistic FUR is 28 excellent Photoshop brushes I use for creating a perfect fur when painting animals, furries, original characters with fur, & other wooly & fluffy creatures & objects
I’ve worked to learn how to draw realistic fur quite a lot of time. & I can be proud that I’m reached this goal (and keeping moving on). To simplify the work process, I created a series of brushes for myself, & here I’d like to share it with you. My brushes allow you to create high-quality realistic fur styles & countless combinations. So I’m sure, you’ll appreciate the assistance that they will give you during your work!
See the short demo VIDEO of HOW THEY WORK among the presentation images
• Minimal version where the brushes were tested is CS, but in fact, the ABR format is compatible with earlier Photoshop versions.
All brushes were created, tested, & improved over long & multiple work processes
• You will receive:
1. 28+ FUR brushes saved in the “Realistic FUR 2015-2020 Brush Set by Eldar Zakirov. Rel.3.0.abr” file;
2. How to install & Some useful tips.pdf — the PDF file containing some tips regarding usage & installation. You can see them below. Just to have them on hand;
3. Realistic-FUR-4-PS-Brush-List.jpg. The brush list image you see above (sometimes it’s just convenient to have it).
• Some useful tips & notes:
• How I’d advise painting furry volumes.
As you know, there are several basic shading technics in painting & drawing, & I like this one as the most appropriate for me — I find it one of the most rational by painting the fur — to start coloring with a neutral, halftone local color, then shade it according to the volume & lighting. Usually, this underpainting should be darker than fur, as it would be in the shadow. So then add layers above to add the fur. All the brushes have a minor color & lightness jitter to make the fur more realistic.
• So, try to place basic shading with a simple brush you prefer to paint usually, hard or soft, & then put the fur strands above, according to the form & lighting.
• After it’s may be needed to make some areas deeper (darker) — for example, shaded areas deeply among strands near their roots — or set some light & highlight accents in the lights.
• You can experiment with layer’ & brush blending modes, such as Soft Light, Screen, Multiply, etc.
• As in painting or drawing at all, I’d recommend proceeding from common, main shapes to partial ones & details: firstly, specify the main big volume, lights, & darks, then put non-detailed fur strands using matching brushes, & then make the detailing with detailed fur brushes.
• In the end, I’d add some of the sharpest strands or hairs, maybe blur or darken some of the underlying strands, light up some of the most visible, highlighted. Try to make some of them softer or sharper, darker or lighter in the finish or work, kind of post-processing. Add some highlights, specular. The separated hair can be drawn by regular textured thin brushes.
• Brushes # 2, 3, & 8 have two options for each one, for left & right hair growth direction.
If you liked this, you’ll love more from Eldar Zakirov’s
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