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Download Silver & Arsenic Alphabet Graphic Free

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Download Silver & Arsenic Alphabet Graphic Free

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Silver & Arsenic Alphabet Graphic
Published: Jul 29, 2019
Applications Supported: Adobe Photoshop, Adobe Illustrator, After Effects, Adobe InDesign
File Size: 1.22 MB
Vector
Layered

Description: Silver & Arsenic Alphabet Graphic
LETTERING DESIGN: SILVER & ARSENIC

Silver & Arsenic is a vintage-style alphabet with a circus, carnival, sideshow, victorian, western, old-tyme, or even steampunk vibe. This typeface would be at home on circus graphics, a whiskey label, a craft beer branding system, a trademark for a skilled artisan, jewelry designer, saloon or pub logo, tattoo artist, or even a metalworker’s shop. The simple & understated indigo, ivory, & gold colors are easily editable in the swatch palette after selecting “same fill color” as the vector element you’ve selected.

• Important Note: This is custom vector art, not an installable font.

• Saved in .eps format, compatible with AI 10 & up.

• To open in PhotoShop, drag the .eps file over the PS icon, choose a resolution, & open.

ABOUT THE ELEMENTAL TYPOGRAPHY SERIES

When it comes to designing a truly unique lettering design or branding system, sometimes PhotoShop or Illustrator styles & actions don’t quite yield the highly customized results you may be looking for.

Introducing the Elemental Typography custom vector art series from the lettering fanatic at Mysterylab Designs.

These stand-alone vector lettering designs are uniquely intricate in their use of zig-zag or hatched contours, solid & gradient drop shadows, faux-metallic gradients, & other eye-catching effects.

In a matter of just a few minutes, you can copy & paste the letters to spell out a customized headline or product name, apply beautiful curves & contours if desired (using Adobe Illustrator’s Object Envelope Distort commands), & presto, you have a lovely, unique, & custom-lettered branding system or headline. & yes, it goes more quickly than you might think.

TIPS FOR GETTING A PERFECT RESULT

1) Don’t forget the kerning! This is often the difference between a good lettering design & a great one. After you’ve positioned the lettering on a straight baseline, give it careful look. Squint at it. Look at it from across the room if it helps. Close up the big wide gaps like you might see between an ‘L’ & an ‘A’. Open it up a bit when dense letters want to dovetail too tightly together. Bottom line: Don’t use math or rulers to kern the letters, use your eyes. If it looks too tight or too loose, then it is.

2) If you’ve positioned individual vector letters before, you probably know that letters with rounded tops or bottoms need to extend a little bit below the baseline & above the cap height line. Example: a rounded capital letter ‘O’ extends slightly beyond the lines at both the top & bottom, & a rounded capital letter ‘U’ extends below the line at the bottom only. This extra height (most prominently on bold lettering) counteracts the optical illusion of rounded letters naturally appearing smaller than the rest.

3) Try curving your words, rotate them around an arc, bend & warp them for great results. Adobe Illustrator’s Object Envelope Distort is your friend.

4) The colors are editable of course, although in some cases, it may prove to be overly complicated to edit some of the multiple gradient swatches used for creating the 3-d style drop shadows & faux-metallic shine gradients. Experiment, & see what works.

ABOUT THE DESIGNER

Mott Jordan is a veteran typography designer & confirmed lettering fanatic. He has two ITC designs to his credit (now administered by Monotype, Inc.), ITC Hornpype™, & ITC Verkehr™, as well as a large number of limited-release freebies floating around the web, dating back to the late 1990s. Jordan is also an artist, illustrator, animator, 3D designer, & photographer.

If you liked this, you’ll love more from Mysterylab Designs

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